Bajao Zor Se Taali Lyrics - Kaafiron ki Namaaz

Song Lyrics

Dil waale bose udaao Maddham si hansi girao
Buth kyon bane pade ho Rindh sa mahek jaao Kaath mein gaad do killi
Maachis par ghis do tilli Yun toh pheeki thi hawa
Maine kaifi kar daali Paunch ghaflat ki laali Bajao zor se taali Gham ko de dena gaali
Bajaao zor se taali Taali ke baad taali Bajaao zor se taali Hai saat makaan sargam ke
Inme rehte sufi hain Mere yaar hai, dildaar hain
Rooh ki tafri, zam-zam ki gaar hai

Har dhun ko ishqe waali phasle baati hain Hothon se sehla-sehla
Nazini ki baaliya kaati ha Haan bulla ke harfo par marne waali bawli matwali
Bajao zor se taali Haan, Shehad ki shehar waali Bajao zor se taali
Taali ke baad taali Bajao zor se taali

Soch khud ka hunar dil se nikalti yeh daad hai ,, Soch khud ka hunar dil se nikalti yeh daad hai
Yeh qawalli wali baat hai Purani dilli ki baraat hai

Gila nahi jo mila nahi kaaba tarif ka dikha nahi ,, Gila nahi jo mila nahi kaaba tarif ka dikha nahi
Bul-bul tha maajhi mera kaala majhi ,, Nahin ban paaya main phir se haaji

Bula lo khuda, bula lo qaazi , Nikaah ke liye khudai ko kar lunga main raazi
Main mehfil ka mawaali Bajao zor se taali

Paunchh ghaflat ki laali ,, Bajaao zor se taali ,,Haan Taali ke baad taali
 

Bajao zor se taali ............./

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Bajao Zor Se Taali Lyrics - Kaafiron ki Namaaz
 

Yamla Pagla Deewana 2 Movie Trailer

Watch Official Bollywood Movie Yamla Pagla Deewana 2 Movie Trailer

Yamla Pagla Deewana 2 is Comprises of Comedy and Action, Romance Movie.. The Rest Of Included by Johnny Lever, Neha Sharma & More ...

Himmatwala Movie Review (2013)

Movie - Himmatwala Review (2013)

Himmatwala Movie was the gave an impetus of the trend od Remaking South India Movies In the 1980.. and this movie there was a sea of remakes with Sridevi Jeetendra & More is featuring Almost every remake ..

It is easy to remake a successful Movie , but the responsibility that Sajid Khan carries on his shoulders cannot be assessed in mere words. Right from the masala quotient to Ajay and Tamannah matching steps with Jeetendra and Sridevi, respectively, each and every aspect of the new version will be examined with a magnifying glass. While a section of the industry [as well as moviegoers] opine that trendsetting movies should not be touched [read remade], there also exists a section that feels that the present-day generation would love to watch those films in new avtaars. The debate continues…  The pertinent query is, does Sajid Khan’s Himmatwala recreate the magic of K. Raghavendra Rao’s Himmatwala [1983], which itself was a remake of a Telugu film? At the very outset, let me inform you that the two Himmatwala are almost similar, yet dissimilar. While the basic premise remains identical, besides retaining two hugely popular tracks, Sajid has modified certain portions of the film, besides adding a few episodes. What’s common between the two versions is the intent to provide entertainment to its target audience — those who relish masala fares.  Now let’s talk of the new Himmatwala. It’s all about entertainment, entertainment and entertainment. Right from the styling to death-defying action to fiery dialogue delivered in high decibels, everything that you get to see in Himmatwala is reminiscent of the Bollywood of the 1980s. The mother-son drama, the hero-villain conflict, the heroism… even Ajay’s introductory sequence is straight out of 1980s. Be forewarned, Himmatwala is 1980s cinema packaged in a new wrapping, but even if you have an appetite for the masala movies of yore or are ready to do a time travel to the angry young man of 1980s, chances are you will feel suffocated by the on-screen goings-on that Sajid Khan dishes out in the name of entertainment.  Himmatwala narrates the story of a son [Ajay Devgn], who comes to the village to avenge the injustice meted out to his father [Anil Dhawan], who had been wrongly accused by the Sarpanch [Mahesh Manjrekar] of robbery.  Himmatwala takes you back to the familiar terrain. It’s the typical good versus bad saga loaded with every possible ingredient that makes masala films tick. Sajid ensures that those who have watched the earlier HIMMATWALA — or those who haven’t watched it — get paisa vasool entertainment in those 2.30 hours, but, unfortunately, what unfolds on screen is so routine and monotonous that you fervently hope for some novelty in this adaptation. One doesn’t mind massy entertainers, but there has to be a hook to keep the viewer’s attention arrested. HIMMATWALA provides that only towards the closing stages of the film, when the mother [Zarina Wahab] gets to know of Ajay’s true identity.  Sajid makes an attempt to pay homage to the cinema of yore, but what he delivers makes you sit motionless for most parts. If a movie fails to invoke wolf whistles or ovation at the right places, you realize something is seriously wrong. The biggest problem is Sajid does nothing, absolutely nothing out of the box or path-breaking in the current scenario to grab your attention, which is why Himmatwala fails as a film. The romance lacks fire, the drama is devoid of intensity, even the action is plain ordinary… Frankly, Himmatwala has nothing that warrants a repeat viewing.  While Sajid retains two hugely popular tracks from the original ['Naino Mein Sapna' and 'Taki Taki'],Himmatwala has yet another track that’s lilting — ‘Bum Pe Laat’. However, ‘Thank God It’s Friday’, at the very start of the film, is plain ordinary, despite the star presence of Sonakshi Sinha. Sajid-Farhad’s dialogue have always been mass-friendly and the lines in Himmatwala are a riot at times. The masses will love the dialogue delivered by Paresh Rawal specifically. The action sequences are just about okay. We have seen better stuff in several escapist fares recently.  Ajay slips into the retro avatar effortlessly. Generally known for his intense performances, he plays to the gallery well. He may be awkward in dances, but he makes sure he roars like a lion when he confronts the antagonist. Tamannah faces an uphill task of stepping into Sridevi’s shoes and though she looks photogenic, there’s no acting talent on display here. Mahesh Manjrekar doesn’t evoke terror that one would associate with his character. Paresh Rawal is the real scene stealer, who gets to deliver the best lines. Zarina Wahab shines in the penultimate sequence mainly. Adhyayan Suman is wooden. Rajendra Gupta and Vindu Dara Singh have bit roles. Asrani is wasted. The actress enacting the role of Ajay’s sister does well. Riteish Deshmukh appears in a cameo...

A Sajid Khan Entertainer ....